Faces of Feeling: The Art of Transforming Emotion into Gold and Colour
- Stella Papa
- 54 minutes ago
- 3 min read
Interview with Stella Papa
1. Please tell us something about your background and your art journey so far.
Art has always been part of my life, but I began painting professionally in 2020. That year, I realized that through portraiture, I could speak to the world and liberate what is trapped by social expectations and rules.
By mid-2022, my portraits began to attract the attention of art historians and curators, earning me six international awards and several honorable mentions in thematic competitions. In early 2024, major European and American galleries started inviting me to exhibit—both physically and digitally—at biennales, art fairs, expos, and festivals. My work has also been featured on large screens in places like Times Square, Hong Kong, Madrid, and London, as well as in international art books and magazines.
2. Describe what a normal day looks like as an artist.
I don’t think painters ever have a “normal” day. When, how, what, and where I paint depends entirely on inspiration. However, every morning I visit my studio, look at my paintings, and critique or adjust small details. As an artist, I don’t follow a strict routine—creativity decides the schedule.
3. Can you tell us more about the themes in your art and your inspiration?
I used to paint landscapes and portraits, but since 2020 I’ve focused solely on male portraits. I especially enjoy portraying the Greek actor Tasos Nousias, who appears in much of my work.
In my paintings, I try to give human form to emotions I cannot express in words. The expressions of the men I paint hide all the feelings I experience—or that I see reflected in others. Every portrait is a page from my emotional diary.
My inspiration comes from poetry, people, and daily life. I use various materials and techniques, embracing asymmetry and avoiding strict realism to highlight individuality and the unique value of human emotion.
Gold, silver, black, and primary colours like blue, green, or red often appear in my work to represent emotional conflict while still conveying an optimistic message. I love playing with colour, shape, and line to express this tension.
4. How does your art life impact other parts of your life?
Every artwork reminds me of the beauty that still exists in the world. Art helps me reflect on life and offers an escape from its daily ups and downs.
It creates new experiences and deepens my understanding of myself. Art awakens my rawest emotions, rejuvenates my mind, body, and soul, and brings peace into my life. Creating new work allows me to connect with my inner core and continually learn more about who I am.
5. Could you share any difficulties and hardships you have faced, and how you overcame them?
The most difficult moment of my life was receiving my first negative comment on a painting. I cried and considered giving up art altogether. But my family encouraged me not to quit. My love for art proved stronger than criticism, and I picked up my brush again—and never let it go.
6. Tell us about your best experience in the art world so far.
My best experience so far was receiving my first international award: the International Prize Leonardo da Vinci – The Universal Artist.
7. Share your worst experience in the art world.
My worst experience came when I first started painting. My early works were not well received by the public, and I realized that many people still hold biases against portraiture.
8. What practical advice can you give to fellow artists?
My advice to other artists is simple: paint freely. Use the materials and techniques you love—not what others expect from you. Let your art speak for you and say whatever you want it to say.
9. Is the artist’s life lonely? Please share your thoughts and experiences.
No, my life as an artist isn’t lonely. But sometimes I choose solitude—to think, to reflect, to find inspiration, and to create.
10. What are you working on at the moment, and are there any upcoming events you would like to share?
I’m currently working on a new portrait that combines cubism and abstract styles. I’m also preparing for several upcoming international art events:
INC Art Fair, Germany (21–23 November 2025)
Art MUC Autumn, Germany (10–12 October 2025)
Art Innsbruck, Austria (24–26 October 2025)
Panorama International Art Festival – PIAF 2025, Writers Capital International Foundation
Red Dot Miami 2025 (3–7 December 2025, during Miami Art Week, at Mana Wynwood)
Arte Padova Fiere (14–17 November 2025)
Biennale di Milano – Art Expo (21–25 November 2025)
International Fine Art Cannes Biennale (May 2026)
International Contemporary Art Biennale Basel (June 2026)
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